I guess I didn’t mean to say it with such credit-card flat words
and suction cupped hands over metal-heavy eyes.
Often, I lock myself in bathroom stalls so I don’t say things
I will regret.
You paint a decimal point between your lungs as you count the wheezes
in your oxygen, then put your foot beneath my heartbeat.
We are dying more today, bury your nose into the wound
but do not lick.
Liquid falls by the gallon. Some things like my ears feel inadequate.
Why don’t you why don’t you why don’t you let me
pick up the mouse poison and take it to bed,
maybe then we can have a talk
about how this really feels.














Comments
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{ and the rivers of blood pushed back in my veins. }
'credit-card flat words' - now there's a brilliant image! Makes me think of the cold and impersonal nature of credit cards, and things like materialism and superficiality. Brilliant.
'suction-cupped hands over metal-heavy eyes' - more thoughts on artificialness and blank blindness. You always have unique imagery
The last thing I will say about the first stanza is that I love the line break before 'I will regret' - it kind of lets 'I will regret' stand on its own, showing how, no matter what we do, we'll always have regrets.
'maybe then we can have a talk
about how this really feels.'
I don't know about these lines - ordinarily I'd say they were a bit 'telly', saying more than showing. But somehow they work.
Anyway, I really like this piece - well done you, once again
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[Philippians 1:21]
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If HIV is devine punishment, then lesbians must be gods chosen people!
[link] -go to this link!
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My Gallery | The aim of art is to represent not the outward appearance of things, but their inward significance.
Aristotle
in your oxygen, then put your foot beneath my heartbeat."
that line is incredible. I love the way you worded it; it's so true, so real, but I never ever would have been able to think of that image. just proves how talented you are :]
something about the first couple lines, though, threw me off. I don't think it was the credit card description, but the other two -- the eyelids and the cupped hands -- were just a little too much. I'd suggest toning down the eyelid description and just say cupped hands. That way, it's easy to get into the flow of the poem.
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